What we make
Five disciplines, one studio
Each is sold on its own and most clients start with one. Every service page sets out how the work is actually done, what AI changed about it, what you end up holding, and the questions people usually send — so you can decide whether we are right for you before speaking to anybody.
The five services
Websites
Fast, static, search-visible sites that outlive their agencyAstro static builds that load in a fraction of a second and have no database, no admin login and no plugins to leave unpatched. You get the design system, the content model, a complete one-hop redirect map from whatever you are replacing, and the source in your own repository.What this involves →Filming and editing
One shoot day, cut into everything the year needsA shoot day planned to produce more than one thing: a hero film, plus the vertical cuts, testimonial pulls and ad variants that carry the months after it. Graded, captioned, delivered in every aspect ratio — and the rushes are handed over, not held.What this involves →Marketing campaigns and advertising
Strategy, creative and paid media that answer to a numberPositioning, channel mix, creative and the landing pages behind it, all run against one number agreed in advance. Charged as a flat fee: your media spend is billed to you directly, on your own card, and never marked up.What this involves →Original music and sound
Written for your film, and licensed to you outrightOriginal music written against your actual timeline and licensed to you outright — full mix, separated stems, and every cut-down a campaign needs. No library subscription to maintain and no content-ID claim arriving on your own advert three years later.What this involves →Copywriting
Words that carry an argument, not just a tone of voiceSite copy, sales pages, ad variant sets and long-form that argue a position instead of describing a company. Researched from what your buyers actually say rather than from a persona document, and structured for somebody reading it on a phone.What this involves →
How we work
The four things that are true on every job
- Fixed scope and a fixed price, wherever it is honest to do so
- We publish no rate card, because a number without the scope attached invites you to compare two figures that are not measuring the same thing. What you get instead is a written proposal: the scope, the deliverables, the timeline and one price. Where a project genuinely cannot be fixed in advance — an integration against an API nobody has read yet — you get a bounded rate and the reason in writing, rather than a fixed price we both know is fiction.
- You own the output, and the files behind it
- Source in your repository. Master video files and project files handed over. Music licensed to you perpetually and in writing. Nothing critical sitting in an account only we can log into. The test we hold ourselves to: if you never spoke to us again, could you keep going? The answer has to be yes.
- Accessibility and performance are gates, not upsells
- Contrast floors are measured by a script that runs on every deploy and fails it if one drops. Sites are static and load in a fraction of a second. Captions are on the videos. None of this is a premium tier, because a site that excludes people is not a cheaper site — it is a broken one.
- We will tell you when the answer is no
- If the campaign is not working, you will hear it from us before you ask. If a project would be better done by somebody else, or not done at all this quarter, we will say that too. It costs us work occasionally and it is still the only way this is worth doing.
Start a project
Tell us what you are trying to build
One studio for the site, the film, the campaign, the music and the words — so the pieces agree with each other. Send a paragraph about the project and you will get a straight answer about whether we are the right people for it.